Meanwhile, many of the sequel’s biggest scares come from left field and have no comprehensible connection to the fears of its characters. Related: Stephen King: Everything Wrong With The Pet Sematary Remake To the movie’s credit, It Chapter 2 does attempt to connect the scares to the overarching themes of the character's journeys, but a flaming-headed Beverly and a lumberjack statue aren’t particularly scary sights even if their metaphorical import is easy to discern. Stanley isn’t scared by just any painting, but rather by the painting hanging in the synagogue where he prepares for his bar mitzvah, a clear connection to his fear of growing up and the impending responsibilities of adulthood. However, even when the connection was more conceptual, the leap was not hard for audiences to make. In some cases, the connection was blatant, such as the leper that pursues Eddie representing the hypochondriac’s fear of illness, diseases, or germs. It established clear connections between the internal lives of the Losers Club and Pennywise’s incarnations, with the Clown appearing as an embodiment of their deepest fears.
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